Responding to music is both universal and uniquely personal, with listening experiences ranging from passive to deeply engaged. The author explores how, through understanding these diverse responses, teachers can develop
Responding to music is both universal and uniquely personal, with listening experiences ranging from passive to deeply engaged. The author explores how, through understanding these diverse responses, teachers can develop active listening practices that enhance student experiences and align naturally with Orff Schulwerk-inspired classrooms and typical musical activities.
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