Reverberations

Teachers Teaching Teachers

Reverberations: Teachers Teaching Teachers is a weekly, online publication available to members that publishes models of best practice from Orff Schulwerk classrooms in the form of lesson ideas, student-tested teaching strategies, articles related to classroom applications, and more.

It is possible that some attachments in older articles did not migrate correctly to our new site. If you notice missing content (e.g., attachments, images), please alert us using this Google form and we will correct this as soon as possible.

Interested in writing for Reverberations? Check out how to get involved in the process:

List of Reverberations Articles

This category can only be viewed by members.

A Gift for You

Words of wisdom for teachers who are feeling the pressures of the unpredictable season of preparing students for performances while continuing to carry on with the regular responsibilities of teaching.

To access this content, you must be an AOSA member. Become a member today, or log in to your already active account.

Autumn Leaves

This article provides a framework for improvisation in the Aeolian mode using a song about autumn leaves as inspiration.

To access this content, you must be an AOSA member. Become a member today, or log in to your already active account.

Elemental Modal Explorations

This article reviews the concept of tonal centers and pentatonic modes and then introduces a model for modal music making by adding the half-steps that give each mode its distinct flavor.

To access this content, you must be an AOSA member. Become a member today, or log in to your already active account.

Seasonal Poems for Creative Speech Play

Word play offers an opportunity for children to engage in creative expression centered on the season of autumn and a fall holiday that is a favorite of many children. This lesson uses poetry as a starting place for exploring the musical qualities of speech.

To access this content, you must be an AOSA member. Become a member today, or log in to your already active account.

Creativity and Performance

Reprint of an editorial by Isabel McNeill Carley in The Orff Echo, February 1969, Vol. 1, No. 2. Carley writes about the challenges of balancing the child’s need for creative expression with performance expectations. She says, “The pressure is enormous, and it is easy to forget Orff’s basic tenet that participation is more important than performance.” And she asks, “Do we work out new ideas, new arrangements with our pupils, and use them in our public appearances? Do we trust them enough to improvise in public?”

To access this content, you must be an AOSA member. Become a member today, or log in to your already active account.